Delighted to sign this copy of my Artist Edition Book for the fabulous @krystalkarmody! đ đ A limited number of copies of The âArtist Editionâ of the âSSHHâ Coffee Table Book - showcasing Azzopardiâs work and featuring more than 100 of her celebrated images still now available and suitable for everyone! The book has an introduction by art critic, historian and journalist #EstelleLovatt FRSA @estellelovatt and #AngusGranlund, from #Christieâs @christiesinc, London.
At your request, Deborah Azzopardi will personalise the book to whoever you want it addressed to, on the inside front cover.
#LimitedStock! Behind the scenes supplement included. đ„
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#DeborahAzzopardi #DeborahAzzopardiBook #PopArt #ArtistEdition #ArtBook #popart #AmericaHasLichtenstein #WeHaveAzzopardi #UKartist #fineart  #limitededition #female #feminine#divinefeminine #womenempowerment #thefutureisfemale#powerfulwomen #whattoseeinmiami#womeninthearts #womanonamission
Delighted to sign this copy of my Artist Edition Book for the fabulous @krystalkarmody! đ đ A limited number of copies of The âArtist Editionâ of the âSSHHâ Coffee Table Book - showcasing Azzopardiâs work and featuring more than 100 of her celebrated images still now available and suitable for everyone! The book has an introduction by art critic, historian and journalist #EstelleLovatt FRSA @estellelovatt and #AngusGranlund, from #Christieâs @christiesinc, London.
At your request, Deborah Azzopardi will personalise the book to whoever you want it addressed to, on the inside front cover.
#LimitedStock! Behind the scenes supplement included. đ„
.
.
.
#DeborahAzzopardi #DeborahAzzopardiBook #PopArt #ArtistEdition #ArtBook #popart #AmericaHasLichtenstein #WeHaveAzzopardi #UKartist #fineart  #limitededition #female #feminine#divinefeminine #womenempowerment #thefutureisfemale#powerfulwomen #whattoseeinmiami#womeninthearts #womanonamission
Delighted to sign this copy of my Artist Edition Book for the fabulous @krystalkarmody! đ đ A limited number of copies of The âArtist Editionâ of the âSSHHâ Coffee Table Book - showcasing Azzopardiâs work and featuring more than 100 of her celebrated images still now available and suitable for everyone! The book has an introduction by art critic, historian and journalist #EstelleLovatt FRSA @estellelovatt and #AngusGranlund, from #Christieâs @christiesinc, London.
At your request, Deborah Azzopardi will personalise the book to whoever you want it addressed to, on the inside front cover.
#LimitedStock! Behind the scenes supplement included. đ„
.
.
.
#DeborahAzzopardi #DeborahAzzopardiBook #PopArt #ArtistEdition #ArtBook #popart #AmericaHasLichtenstein #WeHaveAzzopardi #UKartist
Now @artmiamifairs, @cynthiacorbettgallery, Booth ANY408 - Sat 12-8pm / Sun12-6pm đ„ "Unique in approach, you easily recognise an Azzopardi picture. America has #Lichtenstein we have @DeborahAzzopardi. Â Working simple graphics and toned shading (for depth), the #PopArt line that Azzopardi sketches is different to Lichtensteinâs. Â Hers is more curvaceous. Â #Feminine. Whereas his lines are male, brash and clunky. Â And her humour is distinctively #British. With the slap-and-tickle, kiss-me-quick, fun of Carry On films and quintessentially #English seaside-pier-art where you poke your head through the cut-out cartoon, putting yourself in the picture. âFlash, bang, wallop! What a picture! Â What a photograph!â (Tommy Steele as Arthur Kipps in the London musical, âHalf a Sixpenceâ). Weâve all been there done that, to be a part of visual curvaceous comedy as breasts spill over necklines, buttocks plump under panties and Y-Fronts jockey as floppy sun hats, on the English seaside coast.
Although her large colour surfaces may be simple and basic, she knows how colour works, how to use colour, so sheâs not afraid to be simple and basic. Â Itâs natural. Â Instinctive, like good sex is. Azzopardiâs art makes me think of the poster for âThe Graduateâ movie when Mrs Robinson (Anne Bancroft) puts on her stockings to seduce Benjamin Braddock (Dustin Hoffman). There is something âWonder Womanâ-esque about her colourful pictures that makes you believe the girl is the superhero who triumphs not with punches or kicks, but with love. Images, as bright and bold as I used to be. Indeed can be again, for something about them makes me feel young, like Iâm standing by the Fountain of Youth. Youth symbolizes incorruptible purity.
If you think her paintings are lively, you should meet her in person! Sheâs got a personality that stands out like one of her paintings and a laugh thatâs vivacious and colourful. When Jackson Pollock said, âEvery good painter paints what he isâ, heâd surely be talking about Deborah Azzopardi âŠ.â extract from the foreword to #DeborahAzzopardiâs book âSshhâŠâ by esteemed art critic #EstelleLovatt FRSA. @estellelovatt
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#artny #popart
Now @artmiamifairs, @cynthiacorbettgallery, Booth ANY408 - Sat 12-8pm / Sun12-6pm đ„ "Unique in approach, you easily recognise an Azzopardi picture. America has #Lichtenstein we have @DeborahAzzopardi. Â Working simple graphics and toned shading (for depth), the #PopArt line that Azzopardi sketches is different to Lichtensteinâs. Â Hers is more curvaceous. Â #Feminine. Whereas his lines are male, brash and clunky. Â And her humour is distinctively #British. With the slap-and-tickle, kiss-me-quick, fun of Carry On films and quintessentially #English seaside-pier-art where you poke your head through the cut-out cartoon, putting yourself in the picture. âFlash, bang, wallop! What a picture! Â What a photograph!â (Tommy Steele as Arthur Kipps in the London musical, âHalf a Sixpenceâ). Weâve all been there done that, to be a part of visual curvaceous comedy as breasts spill over necklines, buttocks plump under panties and Y-Fronts jockey as floppy sun hats, on the English seaside coast.
Although her large colour surfaces may be simple and basic, she knows how colour works, how to use colour, so sheâs not afraid to be simple and basic. Â Itâs natural. Â Instinctive, like good sex is. Azzopardiâs art makes me think of the poster for âThe Graduateâ movie when Mrs Robinson (Anne Bancroft) puts on her stockings to seduce Benjamin Braddock (Dustin Hoffman). There is something âWonder Womanâ-esque about her colourful pictures that makes you believe the girl is the superhero who triumphs not with punches or kicks, but with love. Images, as bright and bold as I used to be. Indeed can be again, for something about them makes me feel young, like Iâm standing by the Fountain of Youth. Youth symbolizes incorruptible purity.
If you think her paintings are lively, you should meet her in person! Sheâs got a personality that stands out like one of her paintings and a laugh thatâs vivacious and colourful. When Jackson Pollock said, âEvery good painter paints what he isâ, heâd surely be talking about Deborah Azzopardi âŠ.â extract from the foreword to #DeborahAzzopardiâs book âSshhâŠâ by esteemed art critic #EstelleLovatt FRSA. @estellelovatt
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#artny #popart
Now @artmiamifairs, @cynthiacorbettgallery, Booth ANY408 - Sat 12-8pm / Sun12-6pm đ„ "Unique in approach, you easily recognise an Azzopardi picture. America has #Lichtenstein we have @DeborahAzzopardi. Â Working simple graphics and toned shading (for depth), the #PopArt line that Azzopardi sketches is different to Lichtensteinâs. Â Hers is more curvaceous. Â #Feminine. Whereas his lines are male, brash and clunky. Â And her humour is distinctively #British. With the slap-and-tickle, kiss-me-quick, fun of Carry On films and quintessentially #English seaside-pier-art where you poke your head through the cut-out cartoon, putting yourself in the picture. âFlash, bang, wallop! What a picture! Â What a photograph!â (Tommy Steele as Arthur Kipps in the London musical, âHalf a Sixpenceâ). Weâve all been there done that, to be a part of visual curvaceous comedy as breasts spill over necklines, buttocks plump under panties and Y-Fronts jockey as floppy sun hats, on the English seaside coast.
Although her large colour surfaces may be simple and basic, she knows how colour works, how to use colour, so sheâs not afraid to be simple and basic. Â Itâs natural. Â Instinctive, like good sex is. Azzopardiâs art makes me think of the poster for âThe Graduateâ movie when Mrs Robinson (Anne Bancroft) puts on her stockings to seduce Benjamin Braddock (Dustin Hoffman). There is something âWonder Womanâ-esque about her colourful pictures that makes you believe the girl is the superhero who triumphs not with punches or kicks, but with love. Images, as bright and bold as I used to be. Indeed can be again, for something about them makes me feel young, like Iâm standing by the Fountain of Youth. Youth symbolizes incorruptible purity.
If you think her paintings are lively, you should meet her in person! Sheâs got a personality that stands out like one of her paintings and a laugh thatâs vivacious and colourful. When Jackson Pollock said, âEvery good painter paints what he isâ, heâd surely be talking about Deborah Azzopardi âŠ.â extract from the foreword to #DeborahAzzopardiâs book âSshhâŠâ by esteemed art critic #EstelleLovatt FRSA. @estellelovatt
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#artny #popart
